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I. M. KONSTANTAKOS
Ancient Comedy and Iambic Poetry: Generic Relations and Character DepictionAbstract |
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ΜΙΧΑΛΗΣ ΚΑΡΔΑΜΙΤΣΗΣ
Αἰσχύλος, ἀναγνώστης τοῦ Ὁμήρου: Ἀπὸ τὴν ὀλολυγὴ τῆς Εὐρύκλειας στὸ εὖχος τῆς ΚλυταιμήστραςAbstract |
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EDITH HALL
Tragic Temporalities in Euripides’ Trojan WomenAbstract |
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DAVID KONSTAN
Emotion and Abjection: Voices of DespairAbstract |
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AGIS MARINIS
Η σκηνή της Κασσάνδρας στις Τρωάδες: Τελετουργική επιτέλεση και πολιτικό υπόβαθροAbstract |
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C. W. MARSHALL
Euripides’ Trojan Women and the Stagecraft of MemoryAbstract |
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ΚΩΝΣΤΑΝΤΙΝΟΣ Ι. ΧΑΣΚΗΣ
Οι θηβαϊκοί μύθοι στην τραγωδία του 4ου αι. π.Χ.Abstract |
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ANTONIS K. PETRIDES
ἡμεῖς δ ̓ ἴωμεν: Menander and Sophocles in Intertextual Dialogue (Dyskolos and Philoctetes)Abstract |
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DIMITRIOS KANELLAKIS
Lysistrata Against the Greek Military JuntaAbstract |
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HALLIE REBECCA MARSHALL
Tony Harrison’s The Common Chorus and Dramatic TrilogiesAbstract |
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ANTONIS K. PETRIDES
Euripides Trojan Women: A Comic by Rosanna Bruno and Anne Carson: A surveyAbstract |
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E. D. KARAKANTZA
Antigone Goes to School: Georgina Kakoudaki’s Production of the Sophoclean Play (2014) for Teenage AudiencesAbstract |
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TH. K. STEPHANOPOULOS
Γρηγόρης Μ. Σηφάκης (1935 – 2023)Abstract |
